Pink Friday: Roman Reloaded
I think most people would agree that while Pink Friday was a supreme disappointment, bordering on unmitigated disaster. Featuring a wide array of terrible samples and unnecessary guest spots, Nicki’s debut was bland by her frenetic standards. Not only was Pink Friday bland, it also revealed her greatest flaw as an artist: self-awareness. I believe this flaw is why Nicki has shined more on tracks with other established artists than on tracks where she is the focal point (Kanye’s “Monster”, Lil’ Wayne’s “What’s Wrong With Them”, Young Money’s “F*** da Bullsh**”). And in fact the one track from Pink Friday that spoke to her potential was “Roman’s Revenge”, which had the creative imprint of Eminem all over it.
Continue reading “Nicki Minaj Review: Unique Doesn’t Always Mean Good”
A$AP Rocky Review
This may be the only time I ever review a mixtape. Some hip-hop artists are so prolific with the amount of mixtapes they release (e.g., Gucci Mane), it is often hard to keep up. So, I often just stick to studio releases, and the occasional mixtape that gets a lot of good publicity. Well, I can’t recall a mixtape that has gotten as much hype as A$AP Rocky’s LiveLoveA$AP, and the alleged 3 million dollar deal he received from RCA/Sony. I was skeptical of the hype Rocky has been receiving, but let me tell you that this self-proclaimed “pretty motherf****r” has delivered not just the best mixtape of the year, but possibly the best hip-hop album in general.
Continue reading “A$AP Rocky Review: This Sh*t Cray”