2012 was a great year in television. Unfortunately, that means the shows we are used to being great stayed great for the most part, without much new blood being thrown into the mix. In fact, only one new show cracked our eight selections below (the top 5 plus each of our “just missed”). New shows like The Newsroom on HBO, and NBC’s big-budget post-apocalyptic program Revolution were summarily awful (not that I expected too much out of Revolution, but come on, JJ Abrams has to have another hit in him at some point). ABC’s Last Resort showed quite a bit of promise, with an intriguing premise and solid cast, but no one cared enough to tune in, so it already got the axe. And the new sitcoms, my god the new sitcoms. They were all awful. So, back to the established shows to scratch our TV itch. Enjoy, and as always, let us know what we missed, forgot, or even if you agree.
5. Parks & Recreation
Leslie Knope & Co. just keep the train rolling during the fourth and fifth seasons, after really hitting hitting its stride during season three. The ensemble cast, anchored by Amy Poehler, Nick Offerman, Aziz Ansari, Chris Pratt, Aubrey Plaza, Adam Scott, and Rob Lowe has now been a cohesive unit for three seasons, making every interplay between the characters all the funnier. Hopefully, people keep watching at a high enough level to keep this rare network gem on the air.
Continue reading “Weak List Wednesday: Top 5 Television Programs of 2012”
To be honest, I was thinking about writing about the new Mumford & Sons album, Babel, for today. After the first few songs, I wasn’t in the mood to listen to any more manufactured build-and-release folk music anymore. They are not all bad, but I’m not sure if I fairly review it in my current mood.
So instead, I’m gonna go ahead and talk about the 2012 Emmy Awards a little bit. I really feel right now is the golden age of television. Networks keep on rolling out high-concept programming, particularly on the drama side of things, that I can’t even imagine airing twenty years ago. HBO started the charge with their 2000’s holy triumvirate of The Sopranos, The Wire, and Six Feet Under. But now, everyone from FX to AMC, and even a few of the major four networks, are releasing interesting (if not always successful) programming.
So without further ado, here is what the 2012 Emmy Awards got right and epically wrong.
Continue reading “The 2012 Emmy’s: Listen to Us Rip on Another Award Show”
To be honest with you, I wasn’t completely sold on the first season of Treme, David Simon’s follow-up creation to his smash hit The Wire. The acting and shooting was pristine, but the pace moved at such a crawl it was hard to become engrossed in so many characters whose story-lines were going nowhere quickly. The real star of the show was the city itself and the musical scene captured by Simon and his crew. While watching an expose on the styles and history of the music of Louisiana is interesting in and of itself, it simply wasn’t cutting it as a compelling dramatic tent-pole on HBO.
So, when I finally got around to starting season two, I was not at all excited. It was kind of like watching one of those Academy Award nominees that you know is going to be worth watching, but is a little hard to pump yourself up for. Surprisingly, by the end of the first few episodes of season two, I found myself hopelessly caught up in the characters Simon set up throughout season one. The musical backdrop is still there in full force, the stories of each character take center stage, giving the show a more human feel. With all this drama, the music of the show snuck up on me and I am now simply obsessed with everything roots, blues, folk, jazz, and hip-hop that New Orleans and Louisiana have made a mark on.
I bring to you today five of my choice favorites I’ve discovered throughout season two of Treme.
Continue reading “LxListening: Music from Treme”