The Brilliance of the Blue Jean Committee

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Perhaps no comedian has a better grasp on the music world than Fred Armisen, who was a drummer for Chicago indie-punk band Trenchmouth before becoming a weird comedy star on Saturday Night Live. Since SNL, Armisen has now become the drummer and bandleader for The Late Show with Seth Meyers, as well as one-half of the brilliant Portland spoof Portlandia.

Thus there might be no better person for  a music documentary spoof, and he and the amazing Bill Hader knock it out of the park in their new Documentary Now series, a new IFC TV series that spoofs classic documentaries. The last two in the series are on the Blue Jean Committee, Hader and Armisen’s made-up Cali soft-rock that’s based loosely on the Eagles. The two-part documentary is a quality spoof of The History of the Eagles, a 2013 Showtime documentary that famously cast band members Glenn Frey and Don Henley as complete jerkoffs. Hader and Armisen, as well as show executive producer Seth Meyers, pick up on the irony of such a gentle and soft band made up of a bunch of macho alpha-males that want to kill each other. That, in addition to Armisen’s complete takedown of classic music documentary clichés, is what makes the Gentle & Soft: The Story of the Blue Jean Committee so hilarious.

Building on the macho men playing delicate music idea, the bandmembers Clark Honus (Hader) and Gene Allen (Armisen) are made into Chicago tough guys from sausage families that first tried Chicago blues, before deciding to opt for a SoCal soft-country sound. As cultural critic Chuck Klosterman says in the documentary, the Beach Boys sing about surfing and never surfed, so why can’t the Blue Jean Committee do the same with California.

In the documentary, the Blue Jean Committee has one breakthrough record in Catalina Breeze, which is really their Hotel California. Songs like “Mama, You’re a Dancer”, “Catalina Breeze”, and “Gentle & Soft” perfectly capture that corny California soft-rock sound. The documentary also includes other AM radio giants that Armisen and Hader are spoofing talking about the fake band, including Kenny Loggins of Loggins and Messina, Michael McDonald of Steely Dan and the Doobie Brothers, and Daryl Hall of Hall and Oates.

Blue Jean Committee is quickly becoming a reality as well, as the two performed on Late Night with Seth Meyers, and put out Catalina Breeze on Drag City Records. While there have been plenty of spoof bands, this is the best take I’ve heard on that cheesy 70’s rock sound, so definitely check out the Documentary Now episodes  (currently on IFC.com to watch and will be coming to Netflix soon) as well as the music itself. It’s rock parody at its best.

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Top Ten Thursday: Best Solo Careers

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After dropping our Review Royale of the new Justin Timberlake album this week, we thought it would be a good idea to tackle artists that have gone solo for our list this week.  We already broke down the best albums released by an artist after going solo in honor of Jack White releasing his first solo record.  So we thought, “Why not just look at solo artists career as a whole, after leaving their band/group.”  Easy enough to find plenty to pick from, but exceedingly difficult to pick just ten for this particular list.  We had to axe a couple that simply didn’t have enough solo material to justify putting them above more established solo musicians (Dan Auerbach and Jack White).  We just can’t be sure which direction people with just one solo album will go.  Back to the band or keep going on their own.  Either way, there were some very tough cuts, but we think we came away with a list worthy of your attention.  Enjoy, and let us know who we missed, left off, or shouldn’t have included at all.

10. Justin Timberlake

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Following the “hiatus” of ‘N Sync in 2002, JT quickly released his solo debut Justified.  I know of at least a few sophomores and juniors in high school who couldn’t resist the former boy-bander’s cool pop sound.  Little did we all know, Justified would serve as merely a bridge to even more progressive and layered pop sounds.  FutureSex/LoveSounds and The 20/20 Experience have done more than show off JT’s love of the backslash, affirming Timberlake as pop icon.
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