The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

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Grammys are worthless

Editor’s Note: With the Grammys coming up Sunday, we thought it best to re-run our favorite list about the consistently terrible award show.

 

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”

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Top Ten Thursday: Best Super Bowl Halftime Shows

janet jackson top pic

Super Bowl halftime shows have had a pretty wide range over the years; starting out with mostly college marching bands and currently sometimes ending up in huge controversy (like the above or M.I.A. last year).  For the past twenty years or so, though, the halftime show has settled into two categories for the most part:  aging rock star or in-the-moment pop sensations.  There just hasn’t been a lot of imagination.  I truly believe, and so do Todd and Wes deep down even though they won’t admit it, the combination of Aerosmith, N’Sync, and Nelly was pretty electric, and a legitimate combination of current and aging talents.  Alas, they didn’t make the list.  Neither did The Who (decrepit), Madonna (mummified), or the Shania Twain, No Doubt, Sting combination (puzzling).  In fact, this list is not nearly as strong as we would have expected, so I ripped to some degree on several acts.  Enjoy, and as always let us know what you think in the comments.

10. 2006 – The Rolling Stones

Rolling Stones Super Bowl

After the 2004 Janet Jackson debacle (blessing?), the NFL decided to trot out a lot of very “safe” acts for some time.  Hence, a bunch of old bags of bones (stones?) took the stage in 2006 and sounded much smaller than the event demands.  As a consolation, the stage is phenomenal, and Keith Richards puppet-master continues to get paid for his superb work.
Continue reading “Top Ten Thursday: Best Super Bowl Halftime Shows”

Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

Grammys are worthless

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”