Pitchfork Music Festival 2014 Recap

 pitchfork

In all of its infinite and pretentious wisdom, there is hardly any doubt that Pitchfork has become one of America’s leading sources for modern music recommendations and critiques. Love or hate their opinions, it is true. And regardless if they seem to leave a bitter taste in your mouth every once in a while, they do manage to do one thing very right: Pitchfork Music Festival. Three short-but-not-too-short days in the city of Chicago with a solid lineup of acts every year. Even with Death Grips canceling their performance this year, I  along with fellow LxL’er Wes and a few friends still showed up for the party, and a glorious three days it was. Here is the one sentence (or more) breakdown of what we encountered:

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Pitchfork Music Festival 2013 Recap

Pitchfork Music Festival, 2013

On the surface level, I think it’s natural to have some preconceived notions of what a festival put on by Pitchfork may be like. Pretentious I would imagine is the first thing that would come to many people’s minds. An uppity crowd filled with music snobs and young folks more focused on style than substance. You’d probably also assume that following suit with any other festival/venue it would provide nothing but overpriced food and beverages that would be moderately annoying to wait in line to get as well. The lineup can also be a bit off-putting for some. Unsure of all the names on the lineup seems to be a problem for even dedicated music followers at times as Pitchfork likes to stick with very highly acclaimed (even if it is themselves in fact acclaiming them) list of acts. Not to mention the staggeringly small number of acts for a three day festival that pales in comparison to that of a Lollapalooza, Bonnaroo, or Coachella.

After attending this festival for the second time, I have to say that I am continually amazed at how far off base all of these notions are. Every one of them. The crowd is amazingly genuine. It is smaller than most fests, but people there seem to be genuinely into music. I attribute this largely due to the fact that Pitchfork’s lineup is not conducive for the teenie-bopper types that are looking to attend a three day festival to simply see one show a day whether that be Monsters of Men or fun.. All of the fans at Pitchfork seem to genuinely be there to enjoy all music. As far as price goes, there is hardly a bar in Chicago where you can get craft beers for $5, let alone a spectacle venue. Food is also moderately priced, from local Chicago restaurants, and very delectable. The lineup, whether you know the artist or not, is wonderful. Every act you see there (or at least that I saw there) is someone I would pay a full priced ticket to see as headliners. And the fact that this number of acts on the list is smaller than most, only provides strong set times, and less conflict from overlapping acts. All-in-all it has to be the US festival with the most bang for your buck. Now let’s get down to brass tax shall we?

I attended this year on Saturday/Sunday only. Friday I was at a Pearl Jam concert at Wrigley Field that will be worthy of it’s own post at a later time. So below is my quick few-sentance recap of what was one of the more surprisingly great festivals/weekends of my 2013:
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Weak List Wednesday: Best Live Acts of 2011

In continuation of our end year lists, we decided to bust out a short list of our favorite live acts of the year. Obviously, we can only choose from what we have seen, but between the three of us, we have seen many of the seminal acts of today this year.

My Morning Jacket Best Live Band of 2011
Jim James, Rock God in the making

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