We have all been there. Your favorite band is coming into town, and tickets go on sale at 9:00 AM on Friday morning. You are at your computer at 8:45 AM, just for good measure. Ticketmaster.com is most likely, and most unfortunately, the place of purchase. At 8:55 AM you begin to refresh the webpage, just to make sure the ticket status has not been changed a few minutes early. At 8:56, you refresh again. 8:57, refresh, nothing. 8:58, refresh, still no change. Now is when it gets real: 8:59 AM. For the next 60 seconds, it is a go time! Refresh, load, nothing. Refresh, load, nothing. Refresh, load, nothing. Only 20 seconds have gone by since the clock struck 8:59, but it has felt like 2 hours. The process continues as your now sweaty palms begin to drip onto the keyboard and your heart palpitates wildly.
Finally, the time has come. You click that refresh icon, and something happens. The load wheel is spinning, the page is taking longer to load, and the clock now reads 9:00 AM. “This is it!”, you think to yourself. Your heart begins to race even faster. Spots begin to blur your vision as the excitement of seeing your favorite band for the first time becomes real. Your imagination runs wild with the thought of where your seats will be. “Surely I have to be in the front few rows,” you think to yourself. And why wouldn’t you be? You were there the moment the tickets went on sale! Not only are you proud of yourself, but the friend that you are also buying a ticket for is about to view you as a true hero. The page finally loads. The last five minutes have felt like five years, and all the life’s work you have put into those last “five years” begins to culminate as the text of the page slowly populates your screen. You try to calm yourself. You clear your vision to read the results of this stressful, laboring effort and here it is… “Sold Out!”
Continue reading “Public Service Announcement: Ticket Scalpers, You Are the Worst Kind of Human Being”
Apparently there has been a big stink about the NFL going after bars and restaurants for advertising “Super Bowl” parties, as well as anyone having “Super Bowl” specials at their respective businesses. The NFL has a pigskin-sized object lodged so far up their ass, they insist on controlling any iteration of the phrase “Super Bowl”. Well, screw you NFL. LxL will not succumb to your tyrannical ways. This is our Top Ten list: Super Bowl Edition. This is not the most proper top ten list. Instead, we decided to take the top 5 most notable bands from Denver and Seattle, and have them square off to see who achieves supremacy in the musical realm. Denver’s list is so weak we even allowed for bands from the entire state of Colorado in an attempt to even the playing field. So without further ado, here are the matchups and the winners.
The Starting Lineup
John Denver (Denver) vs. Bing Crosby (Seattle)
Continue reading “Top Ten Thursday: The Super Bowl of Music”
Who: Pearl Jam
Where: Wrigley Field, Chicago IL
When: July 19th (and 20th), 2013
It was a Friday evening, and despite not having tickets to the grossly over-priced (in terms of resale, anyways) Pearl Jam concert, I was still making my way over to Wrigley Field to meet up with some friends in an attempt to score a deal, when I noticed on my Yahoo weather app that Chicago could be in for some nasty storms that night. I didn’t really think anything of it, other than it could only better our chances at getting a cheaper ticket. Having seen Pearl Jam twice live previously, and the fact that it was 2013 and not 1998, I wasn’t exactly thrilled to pay the ticket broker the requested amount of $400 minimum for a ticket. Nonetheless, my brother and friends were already in the show, and a lifelong friend/total Pearl Jam junkie Jason was in town for Pitchfork Festival. So, why not see if the stars aligned and a ticket just happened to fall in our laps, right? Luckily, that is exactly what happened.
Continue reading “Pearl Jam at Wrigley Field and Why Eddie Vedder Still Matters To Rock and Roll”
This week, our Top Ten Thursday is an ode to LxL’s favorite Canadian, and no it’s not Alan Thicke. In honor of Neil Young’s latest release, the epic Psychedelic Pill, we give you our ten favorite Neil Young records. Neil was no doubt one of the three or four most important artists of the 70’s, but has still released his share of good-to-great albums in the past three plus decades as well. Young’s 40+ studio albums plus even more live albums comes second in productivity only to Bobby Dylan. We also made the decision to just include solo Neil Young records to clean things up a bit, but it goes without saying that Neil has released some classics with Crosby, Stills, Nash & Young and Buffalo Springfield. So without further ado: the best of Mister Young.
Continue reading “Top Ten Neil Young Albums”
Ohh, the nineties. How we all miss the “whatever, who cares” attitude you bestowed upon our generation. Baggy shirts, and even even baggier pants. The rebirth of “chucks” and a noisy, dirty, fuzzy new breadth of music that will never be forgotten. Not to mention other rarities in music that can never be replicated, and will always be legendary. Alanis Morissette may not have made the list, but her new release this week was the inspiration for it. Our criteria for the list was simple: nineties tunnel vision. This means that we had to block out any knowledge of anything that happened outside of 1990-1999. For example, the Beastie Boys were prevalent in the nineties, but how did their nineties material stack up against the rest? This list is for the bands that we felt left their strongest marks on the decade with no regard. As per usual, let us know if you agree.
Continue reading “Top Ten Thursday: 90’s Knockouts”
Red Hot Chili Peppers
I’m With You
Of all the alternative rock bands that made a name for themselves in the 90’s, the Red Hot Chili Peppers have had better longevity and commercial viability than almost any of their other counterparts. I suppose Green Day has done alright for themselves commercially including creating their own musical but their music has been worthless since the mid 90’s and Pearl Jam has continued to pump out albums and put on strong live shows, but their albums have been recycled material for the last decade as well. My theory for the Chili Peppers continued success- the chemistry of the four band mates that came with the return of phenomenal lead guitarist John Frusciante from drug addiction for 1999’s Californication and the following albums that embraced pop melodies and feverish guitar and bass play. But now, following Frusciante’s second and likely final departure from the band, the band regroups but can’t recuperate with I’m With You, their latest exercise that finds the Peppers recycling their sound in redundant and uninspired ways.
Continue reading “Red Hot Chili Peppers Review: I’m With You”