For any Midwesterners out there, spring is almost certain to be one of your favorite seasons. The summer is sweltering hot and humid. Winter (not this year fortunately) can be cold, wet, and depressing. Fall is probably my favorite season, because more often than not the past ten years it means I get to watch post-season Cardinals baseball. But spring means the birds are starting another long season, and the anticipation is at a fever pitch.
Continue reading “Spring Fever: The 10 Best Spring Albums”
Bam! Just like that, artists began dropping tracks from the sky upon us all this past week. With the slight dry spell we have hit here in the late summer, it is nice and refreshing to have a breath of new music scattered upon us. It also is a pleasant reminder of some albums we have to look forward to this fall. So I decided to take advantage of these new single track releases by throwing out this list. There were in fact quite a few other songs dropped this past week as well, so you should dive into those as well, but these were my favorites. This was an impromptu list that I just constructed myself, so if something on the list does not sit well I am held solely responsible, and no blame should be put on the rest of the LxL team. Enjoy:
5. Nine Inch Nails – “Everything”
The most shocking song I’ve heard from NIN in … probably ever. Not due to any shocking lyrics or grossly aggressive industrial beats, but because of how poppy it is. That is right, welcome the poppiest, most new wave influenced song to ever exist in the Nine Inch Nails catalogue. I have to say I love it. The sound fits Reznor well, and although it may take a bit of getting used to from NIN, it’s a new trick for an old dog, and I love it.
Continue reading “Weak List Wednesday: This Week’s Five Best Tracks”
Nine Inch Nails
“Copy of A”
Time for another entry in my bi-monthly Nine Inch Nails watch leading up to the release of Hesitation Marks on September 3. A couple months ago I took a look at lead single “Came Back Haunted” and came away less than impressed, but still hopeful Hesitation Marks would turn out to be the triumphant return of Trent Reznor’s most celebrated musical project. I think with the release of “Copy of A”, we can raise our expectation level a bit and trust we’ll get a solid product in a few weeks time.
Continue reading “Nine Inch Nails Song Review: “Copy of A””
Nine Inch Nails
“Came Back Haunted”
Nothing winds me up more than one of my favorite artists releasing a track to promote their upcoming album. When that particular artist is Trent effing Reznor with his flagship vehicle, Nine Inch Nails, then all the better. It has been five years since a proper NIN single, so when it was announced “Came Back Haunted” would be released in conjunction with the dates of the upcoming worldwide tour, I was foaming at the mouth. Its not like Reznor has been idle these past five years, in fact he has been busier than ever scoring David Fincher films and recording with spousal side project How to Destroy Angels. But NIN is what we all really want from Trent, so lets see how the new album, Hesitation Marks, is shaping up by way of evaluating the new single.
Continue reading ““Came Back Haunted” Song Review: Nine Inch Nails”
After a hiatus of nearly 4 years, (Has it really already been four years?!) Trent Reznor announced this week that he and a new lineup of all stars will be bringing Nine Inch Nails back to life for a 2013-2014 world tour. (Pause for applause.) If there is one thing we love here at LxL it is our NIN, so we were quite excited to hear this news. Reznor has proven to still show value to the music community in his time off from Nine Inch Nails, especially in the cinema soundtrack world – Reznor teamed up with Atticus Ross to create the scores for The Girl with the Dragon Tattoo and The Social Network, which earned him a Golden Globe. However, we are glad to have him back in full-on NIN form. So to celebrate, we have listed our top ten favorite Nine Inch Nails tracks. This was a difficult one to order, especially because after you have seen some of these songs live, you literally aren’t the same person anymore. And unfortunately nothing from The Slip, slipped it’s way into the list. Which it took a lot to leave tracks like “1,000,000” and “Echoplex” off. Nonetheless, we pushed through the disagreements and landed on a list we are quite happy with. We hope you feel the same, but if not, let us know.
Continue reading “Top Ten Thursday: Best Nine Inch Nails Songs”
Ohh, the nineties. How we all miss the “whatever, who cares” attitude you bestowed upon our generation. Baggy shirts, and even even baggier pants. The rebirth of “chucks” and a noisy, dirty, fuzzy new breadth of music that will never be forgotten. Not to mention other rarities in music that can never be replicated, and will always be legendary. Alanis Morissette may not have made the list, but her new release this week was the inspiration for it. Our criteria for the list was simple: nineties tunnel vision. This means that we had to block out any knowledge of anything that happened outside of 1990-1999. For example, the Beastie Boys were prevalent in the nineties, but how did their nineties material stack up against the rest? This list is for the bands that we felt left their strongest marks on the decade with no regard. As per usual, let us know if you agree.
Continue reading “Top Ten Thursday: 90’s Knockouts”
The Antlers have been a pet favorite of mine ever since the release of the exceptional Hospice in 2009. The release of Burst Apart last year further affirmed my believe The Antlers are one of the most exciting bands to be following in the world of music right now. Where The Antlers have thrived and found their success on Hospice and Burst Apart lies in the almost compulsive production. Peter Silberman, the band’s main creative force, has made a mark on The Antler’s two proper albums by delving into the most minute details of the band’s sound.
That being said, the release of last year’s EP, Together, left a lot to be desired. The execution of Together made me a little nervous about how their newest EP, Undersea, would turn out. Together is a completely different animal compared to Undersea though. Together was a collection of alternate versions of songs from Burst Apart, along with one unreleased track from those sessions and a completely unnecessary cover of “VCR” by The xx. Together just didn’t bring a lot new or interesting to the table, other than maybe the addition of Nicole Atkins vocals on the Burst Apart track “Hounds”. Undersea, on the other hand, is a cohesive collection of four new tracks in a nice little package.
Continue reading “The Antlers Review: Undersea”