My Bloody Valentine
November 3rd, 2013
Aragon Ballroom, Chicago, IL
Walking through the doors of Aragon Ballroom for Sunday’s My Bloody Valentine show, I knew I was in for a one-of-a-kind show. That’s because for the first time ever, I was actually handed earplugs by the staff at the door and was asked twice by security double-checking that I got my set of earplugs. The reason for this is My Bloody Valentine’s notoriously deafening shows, with the Irish shoegaze band building a sound so large it’s jarring every time it kicks in. The band released its third album earlier this year and its first in 22 years (a smash success by our estimation), and the band delivered cuts off all three albums with equal levels of success.
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My Bloody Valentine
After 22 years, a decade-long breakup, a reunion, and a reunion tour, My Bloody Valentine has finally dropped the follow-up to their incredible 1991 sophomore release, Loveless. While titled simply mbv, the band’s third album is anything but simple. In fact, this album has more layers of grungy complexity than a freshly painted onion tossed around in the dirt. Oddly enough, I have not been biting my nails in anticipation for this album, unlike most other music junkies; especially the ones with a love for grungy, shoe-gazing noise-rock. In fact, I gave up on My Bloody Valentine many, many years ago. In fact, last Thursday I had to double-check that I even had there complete LP discography … all THREE albums. However, after revisiting their first two albums, and a couple EP’s, I admit, I was instantly disappointed in myself for not maintaining a certain amount of loyalty to the band; especially the part where I skipped out on the chance to see them on their reunion tour. My Bloody Valentine helped pioneer a sound for so many bands I loved and still love to this day, and I didn’t just put them on the back burner, I took them off the stove completely. I think my main issue was that they had such a small body of work compared to Dinosaur Jr., Sonic Youth, Pixies, etc., let alone their few predecessors. Thankfully, lead man Kevin Shields finally made good on his promise to “release an album or die”, and thus, my love for My Bloody Valentine has been not only been rejuvenated, but has increased tenfold.
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