April 18, 2014
Last Friday, The National performed their fourth and final show of a four-night stand at the Chicago Theatre. What was intended to be a two night stop in Chicago quickly turned into four consecutive nights, after each show continually sold out at such a rapid rate and they added more dates. Lucky was I, to have fellow LxL’er Wes to snag me such a prized possession. Regretfully, he could not actually join, and was out of town that particularly night. Fortunately, that did not stop me from going, and what I expected to be a slightly boring, and very melancholic show, actually turned out to be a wonderful concert experience that surpassed most all expectation.
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Atoms For Peace
October 2, 2013
Last Wednesday, I had the privilege of witnessing a live Atoms For Peace performance for the second time in my life. The first time I had the pleasure of seeing this rare supergroup perform was at Coachella in 2010. Fellow LxL’er Wes and I were lucky enough to land spots right next to Jay and B (seriously) near the sound stage and were gifted a performance of a lifetime. One that I thought I would never have the opportunity to see again. Luckily, that would not be the case, and after haggling my way into a cheap general admission floor seat, I was gifted that opportunity once again.
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Who: Pearl Jam
Where: Wrigley Field, Chicago IL
When: July 19th (and 20th), 2013
It was a Friday evening, and despite not having tickets to the grossly over-priced (in terms of resale, anyways) Pearl Jam concert, I was still making my way over to Wrigley Field to meet up with some friends in an attempt to score a deal, when I noticed on my Yahoo weather app that Chicago could be in for some nasty storms that night. I didn’t really think anything of it, other than it could only better our chances at getting a cheaper ticket. Having seen Pearl Jam twice live previously, and the fact that it was 2013 and not 1998, I wasn’t exactly thrilled to pay the ticket broker the requested amount of $400 minimum for a ticket. Nonetheless, my brother and friends were already in the show, and a lifelong friend/total Pearl Jam junkie Jason was in town for Pitchfork Festival. So, why not see if the stars aligned and a ticket just happened to fall in our laps, right? Luckily, that is exactly what happened.
Continue reading “Pearl Jam at Wrigley Field and Why Eddie Vedder Still Matters To Rock and Roll”
On the surface level, I think it’s natural to have some preconceived notions of what a festival put on by Pitchfork may be like. Pretentious I would imagine is the first thing that would come to many people’s minds. An uppity crowd filled with music snobs and young folks more focused on style than substance. You’d probably also assume that following suit with any other festival/venue it would provide nothing but overpriced food and beverages that would be moderately annoying to wait in line to get as well. The lineup can also be a bit off-putting for some. Unsure of all the names on the lineup seems to be a problem for even dedicated music followers at times as Pitchfork likes to stick with very highly acclaimed (even if it is themselves in fact acclaiming them) list of acts. Not to mention the staggeringly small number of acts for a three day festival that pales in comparison to that of a Lollapalooza, Bonnaroo, or Coachella.
After attending this festival for the second time, I have to say that I am continually amazed at how far off base all of these notions are. Every one of them. The crowd is amazingly genuine. It is smaller than most fests, but people there seem to be genuinely into music. I attribute this largely due to the fact that Pitchfork’s lineup is not conducive for the teenie-bopper types that are looking to attend a three day festival to simply see one show a day whether that be Monsters of Men or fun.. All of the fans at Pitchfork seem to genuinely be there to enjoy all music. As far as price goes, there is hardly a bar in Chicago where you can get craft beers for $5, let alone a spectacle venue. Food is also moderately priced, from local Chicago restaurants, and very delectable. The lineup, whether you know the artist or not, is wonderful. Every act you see there (or at least that I saw there) is someone I would pay a full priced ticket to see as headliners. And the fact that this number of acts on the list is smaller than most, only provides strong set times, and less conflict from overlapping acts. All-in-all it has to be the US festival with the most bang for your buck. Now let’s get down to brass tax shall we?
I attended this year on Saturday/Sunday only. Friday I was at a Pearl Jam concert at Wrigley Field that will be worthy of it’s own post at a later time. So below is my quick few-sentance recap of what was one of the more surprisingly great festivals/weekends of my 2013:
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The Rolling Stones
Tuesday, May 28th, 2013
Todd and I went through a flurry of emotions this past Tuesday night when we headed down to the United Center for the 50th Anniversary tour of the Rolling Stones: excitement, anger, frustration, sadness, hopelessness, and then joy and ecstasy. So let’s start from the beginning.
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April 8, 2013
Privileged are those who are granted with the gift of watching a band as talented as Deerhoof perform live. Back in 2007, when I was first introduced to them, I wasn’t fully aware of the impact they had already had in the music world. By that time they had already been around for over twelve years and released at least eight full length albums. Not to mention they were very heavily regarded in the eyes of critics and musicians alike. They had even been invited to tour with some of my favorites and music’s best and brightest such as Radiohead, TV on the Radio, Sonic Youth, Yeah Yeah Yeah’s, The Roots, David Bowie, Beck, The Flaming Lips, and many more. If you don’t see a clear picture of why this is by listening to there recorded material, you certainly will after seeing them live.
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November 13, 2012
Fellow LxL’er Wes and I happened to make it to our second show of the week together last night. Not that the Talking Heads cover band didn’t prove to be a fun-filled evening, but I think we both agreed that last night’s Tame Impala show far surpassed it. Walking through a very cold Wrigleyville last night, I was reminded of many previous nights either spent on that same strip, or in the Metro itself. Particularly one sub-zero temperature night in which a buddy and I were stranded on the streets after a Black Keys concert and were forced to seek shelter in a Subway sandwich shop like a common homeless person. That is another tale for a different time however. Metro has proven to be one of my favorite Chicago venues. Most every show there is under $20, and they still wrangle in some killer acts. Moreover, it’s such a small venue that there is literally no such thing as a bad seat. That is unless you were one of the 5-foot tall girls that just look like they are lost in a towering forest, never to see the stage.
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