Amy Winehouse Review: Lioness

Amy Winehouse
Lioness: Hidden Treasures

We all knew it would come out eventually, it was just a matter of when. It’s a hard pill to swallow that Amy left so early in her career with so much promise in her future. She was only getting started, but it never really seemed like she was going to be able to pull herself together enough to become truly successful, or truly happy. Many bands have come and reworked the sounds of the 60’s into modern rock once again (ie The Strokes, The Hives, The Redwalls, Dr. Dog) But Amy and the pioneering team of producers behind her were spearheading the revival of that beloved Motown sound that had been missing in music for over 40 years. It was brilliant … She was brilliant. Unfortunately her untimely death has ceased any further progress, but rather than letting the unfinished demos/recordings lay wasted on their hard drive, producers Mark Ronson and Salaam Remi have hand picked and reworked a few tracks for Amy’s first posthumous compilation album, Lioness: Hidden Treasures. Both brilliant producers have their fingerprints all over this album, essentially constructing/producing every track on the album aside from two (“Wake Up Alone”, “Body and Soul”).
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