The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

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Grammys are worthless

Editor’s Note: With the Grammys coming up Sunday, we thought it best to re-run our favorite list about the consistently terrible award show.

 

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”

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Top Ten Thursday: Worst Grammy “Songs of the Year”

grammy's

The Grammy’s are mostly an awful exercise in big record labels congratulating themselves on which records sold the most units.  Sure, so great songs get recognized, because not all top-selling records are terrible.  Amy Winehouse won Song of the Year for “Rehab”, which was very possibly the best song in her given year.  Adele got recognized big time for her work last year, and deservedly so.  But, it seems that for every good song/artist that is recognized, there are two stinkers that pop up.  Today, we recognize the worst of the these stinkers in the “Song of the Year” category.  Please note that for the most part we just picked the worst songs, without taking much historical context into account, and as always feel free to tell us where we went wrong (or maybe right for once?).  Enjoy!

 

10.  “Beautiful Day” – U2

u2, champagne

Champagne wishes and caviar dreams for these four Dublin douchebags. We get it Bono.  You’re life is awesome, and you’re not gonna waste a moment of it, and you will never die, and we are gonna have to be inundated with your b.s. forever.  We get it.


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Divine Fits Review

Divine Fits

A Thing Called Divine Fits

Spoon and Wolf Parade supergroup Divine Fits album cover art

Supergroups can often by surprisingly disappointing affairs, with the sum of their parts rarely if ever equaling their whole (only happening maybe twice with Cream and CSNY). We recently explored the best supergroups with our recent Top Ten Thursday list, and found that great super groups are truly in short supply.  The ones that seemingly work the best is when there is one clear alpha dog (i.e. Jack White’s projects, A Perfect Circle, Wild Flag) or if each of the musicians have a history of collaborating (i.e. Eric Clapton’s projects, CSNY, Monsters of Folk). Divine Fits, the latest indie supergroup trio consisting of Britt Daniel of Spoon, Dan Boeckner of Wolf Parade and Handsome Furs, and Sam Brown from New Bomb Turks, somewhat fits the alpha dog category with Britt Daniel of Spoon, but as seen on their debut, A Thing Called Divine Fits, Boeckner and Daniel pretty equally split lead duties for what is a tight well-produced 40 minute hybrid of new wave and rock ‘n’ roll; something both Spoon and Wolf Parade have explored masterfully.
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LxL Fest: 3 Days, 33 Acts, 1 Stage

lxl fest, little by listen festival, music festival, lineup
Continue reading “LxL Fest: 3 Days, 33 Acts, 1 Stage”

Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

Grammys are worthless

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”