It’s been a steady shift over the past few years, but I believe 2013 was finally the year dance music (more specifically of the electronic persuasion) took the throne from hip hop as the most dominant genre in music today. There were multiple signifiers to me throughout the year that this shift has finally occurred, and below I will lay out the four biggest signs the robots have finally taken over.
Continue reading “2013: The Year Dance Music Became King”
Summer is just around the corner, and the heat has even peaked its head a little early (at least here in the Midwest). Summer is a great time for music, from all the big music festivals, outdoor concerts, to just driving with windows down and the music blasted, summer is pretty hard to beat. So here is another installment in our This NOT That series – offering healthier options for some of the more harmful songs from the Billboard charts.
Continue reading “This NOT That: Songs for Summer”
^^Incredible Lineup, Meh Festival
How does one review a Coachella? It is hard because you are taking a weekend that is very much a personal experience that involves close friends, music, and the good times you create (or don’t). Some people go to try and catch as many concerts as possible in three days. Some merely use it as an opportunity to explore how many drugs they can fill their body with in three days. Sometimes it’s a combination of both. Some people go for the art. Some people probably just go for their friends. Teenagers go to fit in or to look like a rebel. Old farts go to feel young and seem hip. I even heard Bear Grylls showed up to film an episode of Man vs Festivals in order to properly demonstrate exactly how to drink copious amounts of alcohol in 108 degree weather without dying (I think the trick had something to do with mixing every drink with pickle juice). Personally, I only go for the Ferris wheel.
Continue reading “Coachella 2012 Review”
Pink Friday: Roman Reloaded
I think most people would agree that while Pink Friday was a supreme disappointment, bordering on unmitigated disaster. Featuring a wide array of terrible samples and unnecessary guest spots, Nicki’s debut was bland by her frenetic standards. Not only was Pink Friday bland, it also revealed her greatest flaw as an artist: self-awareness. I believe this flaw is why Nicki has shined more on tracks with other established artists than on tracks where she is the focal point (Kanye’s “Monster”, Lil’ Wayne’s “What’s Wrong With Them”, Young Money’s “F*** da Bullsh**”). And in fact the one track from Pink Friday that spoke to her potential was “Roman’s Revenge”, which had the creative imprint of Eminem all over it.
Continue reading “Nicki Minaj Review: Unique Doesn’t Always Mean Good”