The Yeah Yeah Yeahs
Like the Strokes, the Yeah Yeah Yeahs had a huge place in reviving rock music in the early 2000s. Also like the Strokes, the Yeah Yeah Yeah’s latest album stands as their worst to date, with a hammy comic book feel and a slew of repetitive retread songs. It doesn’t help that Mosquito opens with its lead single and clearly best track in “Sacrilege” sort of like the comedy that released all its best jokes in the trailer. Beside “Sacrilege”, which has the band summoning the gospel ghosts of “Gimme Shelter”, the New York trio tries two other new tricks here in dub reggae (“Under The Earth”, “Slave”) and a cartoonish comic book theme (“Mosquito”, “Area 52”, “Buried Alive”) that just don’t really work for me.
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