We decided it was finally time to make a list concerning the combination of kindred vocals. Duets that is. A guy and a girl is the most popular concoction, but there is certainly room to wiggle with that formula on this list. For frame of reference, we attempted to stay away from two very specific types tracks that may be considered duets. The first area is hip hop tracks. R&B tracks are fine, as long as they don’t interfere with the next criteria, but it seems every hip-hop song has multiple rappers, or at the least one rapper and someone else for the hook. Just seemed a little too muddled. The second criteria we aimed to stay away from were artists that have two vocalists, where almost every one of their tracks might be able to be considered duets. Sorry, but we were looking for duets where the source recording is at most part of a one-off album. As always, I think we crafted a solid list, but am certain we missed something along the way. Feel free to offer suggestions, and enjoy.
10. The Postal Service & Jenny Lewis – “Nothing Better”
Ben Gibbard & Jenny Lewis combine for an electonic-infused back and forth on The Postal Service’s 2003 track “Nothing Better”. The conversational tone of Gibbard and Lewis vocals is about as fun as it gets, and makes us thirst for more than just a Postal Service tour reunion. Record a new album!
Continue reading “Top Ten Thursday: Duets to Die For”
Based on a T.R.U. Story
This is about as money, drugs, and hoes as it gets people. There are two tracks called “Money Machine” and “Crack”, which respectively cover the money and drugs categories by their titles. Beyond that, the chorus for “Birthday Song” features a hook which not only covers the “ho” aspect of T.R.U. Story, but also pretty accurately describes every adolescent boy’s birthday wish when blowing out the candles, “All I want for my birthday is a big booty ho”. So that’s something relatable I guess.
This not to say Based on a T.R.U. Story lacks in occasionally being quality entertainment. I just think that a few hot guest verses created a set of unrealistic expectations for 2 Chainz. Everyone seems to look good working with Kanye, like 2 Chainz did on “Mercy”, and his verse on Nicki Minaj’s “Beez in the Trap” was a breath of fresh air on a somewhat painful record. Because of these and other nice guest spots, something between hope and legitimate expectation developed for 2 Chainz to release what Rick Ross, David Banner, and Young Jeezy haven’t been able to this year: a fancy-packaged big-box rap album that delivers on all fronts.
Continue reading “2 Chainz Review: Based on a T.R.U. Story”
Pink Friday: Roman Reloaded
I think most people would agree that while Pink Friday was a supreme disappointment, bordering on unmitigated disaster. Featuring a wide array of terrible samples and unnecessary guest spots, Nicki’s debut was bland by her frenetic standards. Not only was Pink Friday bland, it also revealed her greatest flaw as an artist: self-awareness. I believe this flaw is why Nicki has shined more on tracks with other established artists than on tracks where she is the focal point (Kanye’s “Monster”, Lil’ Wayne’s “What’s Wrong With Them”, Young Money’s “F*** da Bullsh**”). And in fact the one track from Pink Friday that spoke to her potential was “Roman’s Revenge”, which had the creative imprint of Eminem all over it.
Continue reading “Nicki Minaj Review: Unique Doesn’t Always Mean Good”