Top Ten Thursday: Best Album Covers

Houses of the Holy, Led Zeppelin,  Full Album COver

Album covers are an interesting thing. Some artists choose to not put a lot of time into them and just throw any old picture of themselves on there (Bob Dylan). Others try and go for the shock factor by being wildly offensive (Death Grips), while others either hire an artist or come up with a concept themselves. Storm Thorgerson was a graphic design artist responsible for some of the most legendary album covers of all time, including ones for Led Zeppelin, The Muse, Mars Volta, Black Sabbath, Peter Gabriel and most all of Pink Floyd’s album covers (yes, including the infamous prism cover for Dark Side of the Moon) as well as many more. Sadly, Storm passed away last week, and in his honor we bring you the following list. And no, our #1 has nothing to do with the fact that Storm designed it, we just love it that much. This list was fun because there are so many album covers we loved and wanted to include, but also hard because there are many albums we left off but wanted to include. I guess we will just have to do a sequel to this one some day. Onto the list:

10. The Strokes – Is This It
Is This It, the stokes, Album Cover
One of the sexiest album covers of all time was actually banned in America soon after the albums release. Stupid American censorship laws really know how to put a damper on a good thing.
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LxListening: All That Jazz

Derby's, Jazz, smokey

For some, jazz music is merely a cacophony of nonsensical noise. To others, it is heaven by way of music. Not that I have ever felt the former, but the more I listen to jazz and make it my own, the closer I get to aligning myself with the latter. Jazz is ambiguous and spontaneous. Jazz can be incredibly happy, or it can be devastatingly depressing. It has the ability to take so many different forms, and sometimes many forms in a single song.  It doesn’t necessarily follow the usual structures or progressions. Sometimes it doesn’t follow any progressions. It doesn’t play by the rules in that sense. I especially love when jazz is fused into other genres of music, but for this list, I am going to stick with some of my favorites of the basics. One college spring break on a long, late night drive, Wes and I began a tradition of late night jazz sessions on road trips. As of recent, I’ve found myself doing it more and more often myself. Last Monday, I had a nice three-hour stretch of road in which I let some of my favorite jazz artists drive their airy, spastic, beautiful notes straight into my skull and enrich my soul. Here are some highlights from that jazz session.
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Top Ten Thursday: Double Your Pleasure, Double Your Fun

In the theme of Wes’ M83 review (which is itself a double LP), we decided to list the Top Ten double LP’s this week. You may notice the lack of modern albums on this list; and well, we just had to mostly cater to the classics for once. I must say that choosing this list contained much spirited debate, particularly on who ended up number one. The decision for number one consisted of 3 distinct choices, and then much lobbying and back-stabbing, until the final decision was reached. Todd was particularly awful, and if Eagle Eye Cherry had a double album, he would assuredly have gotten “eagle-eyed” again like last week. On to the list.

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