Bam! Just like that, artists began dropping tracks from the sky upon us all this past week. With the slight dry spell we have hit here in the late summer, it is nice and refreshing to have a breath of new music scattered upon us. It also is a pleasant reminder of some albums we have to look forward to this fall. So I decided to take advantage of these new single track releases by throwing out this list. There were in fact quite a few other songs dropped this past week as well, so you should dive into those as well, but these were my favorites. This was an impromptu list that I just constructed myself, so if something on the list does not sit well I am held solely responsible, and no blame should be put on the rest of the LxL team. Enjoy:
5. Nine Inch Nails – “Everything”
The most shocking song I’ve heard from NIN in … probably ever. Not due to any shocking lyrics or grossly aggressive industrial beats, but because of how poppy it is. That is right, welcome the poppiest, most new wave influenced song to ever exist in the Nine Inch Nails catalogue. I have to say I love it. The sound fits Reznor well, and although it may take a bit of getting used to from NIN, it’s a new trick for an old dog, and I love it.
Continue reading “Weak List Wednesday: This Week’s Five Best Tracks”
I probably saw my last Cardinals game in-person last Friday, unless of course I am gifted with the holy sacrament of playoff tickets. So it is appropriate after seeing about 12 or so games this year to evaluate the players’ choices for the music playing when they walk up to the plate. What makes a great walk-up tune, you ask? There are two main factors. First, the song must be good, which is pretty self-explanatory. If a player ever walks up to a Dashboard Confessional song, that is not good. Second, the song should be appropriate to the player’s general demeanor and on-the field persona, and to some extent performance. Bonus points can also be given if the track is somewhat humorous and obviously clashes with the player’s persona, but this territory should be tread carefully, much like trying to shoot the moon while playing Hearts. In no particular order, here are seven notable walk-ups.
Continue reading “St. Louis Cardinals Walk-Up Music: Year End Review”
Arguably the most anticipated release of the summer releases with one of the most unfitting times – who releases an album called Cruel Summer with four days left in summer? Kanye does, a man with clearly no regard for the seasons, and an ever-increasing ego to boot. People often get driven wild by Kanye’s egomaniacal antics and proclamations about being the greatest thing since Jesus Christ or sliced bread, but what goes wrong with Kanye’s G.O.O.D. music compilation album, Cruel Summer, is Ye passing his ego onto his friends and believing if they hang with him, they must be great enough to stunt as well. What results is an album as inconsistent as the rappers Kanye has accrued.
Continue reading “G.O.O.D. Music Review Royale: Cruel Expectations”
To continue this positive outlook on what music we have to look forward to in the upcoming 2012 music season, we have decided to dedicate this week’s list to what bands/artists we are most looking forward to hearing from this year. Overall this was a fairly easy list to come up with for the three of us. In fact, had it not been for one pro-longed scurfuffle about a producer that is no longer even relevant, I’d say this was our easiest list to come by yet …
We at LxL have been too hurt by the false promises about the forthcoming Outkast album, that we feel like we need to keep it at arms length. If it were a guarantee release for this year, it would surely be our #1. However, we have been too let down by Andre before. So this time, we are excited, but not excited enough to ruin our year if it doesn’t happen.
Continue reading “Top Ten Thursday: Most Anticipated Albums of 2012”
There has been this absurd narrative floating around, basically lauding Wale for resurrecting from the dead to release a second studio album. It’s not like the guy completely shat the bed on his debut or anything, it was just an utter commercial failure. In essence, this narrative is propagating the theory that the only hip-hop albums of any value are those with mass commercial appeal.
Continue reading “Wale Review: A Breath of Hip-Hop Fresh Air”