For any Midwesterners out there, spring is almost certain to be one of your favorite seasons. The summer is sweltering hot and humid. Winter (not this year fortunately) can be cold, wet, and depressing. Fall is probably my favorite season, because more often than not the past ten years it means I get to watch post-season Cardinals baseball. But spring means the birds are starting another long season, and the anticipation is at a fever pitch.
Continue reading “Spring Fever: The 10 Best Spring Albums”
Editor’s Note: With the Grammys coming up Sunday, we thought it best to re-run our favorite list about the consistently terrible award show.
It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”
Arcade Fire, Dan Deacon, and Devo
August 30th, 2014
United Center, Chicago, IL
Groupon is best known in the concert world for getting you discounted tickets on bad 90’s acts like Scott Stapp or 80’s hair bands like Poison, but for once, it paid off in the world of indie rock. Arcade Fire, the overly-ambitious suckers they are, put on two nights at United Center, where the Chicago Bulls and Blackhawks play which seats over 20,000, and since the band isn’t quite on that level, we landed Groupon tickets (and pretty good seats at that) for just $22. We’ve made our lack of love for Arcade Fire known over the years, but for $22, you get to at least see Funeral songs and Dan Deacon and Devo (who we love), so you can’t miss.
Continue reading “Arcade Fire Show Review Royale”
It’s been a steady shift over the past few years, but I believe 2013 was finally the year dance music (more specifically of the electronic persuasion) took the throne from hip hop as the most dominant genre in music today. There were multiple signifiers to me throughout the year that this shift has finally occurred, and below I will lay out the four biggest signs the robots have finally taken over.
Continue reading “2013: The Year Dance Music Became King”
Music awards and ceremonies these days have become nothing short of a joke. Grammy’s: worthless garbage. MTV VMA’s: maybe if this was still the 90’s. American Music Awards: is that really even still a thing? In my opinion, if we consumers really need our music taste validated by some worthless award ceremony it should at least be one that eliminates all political or monetary persuasion, and is not restricted to the grip of big label entertainment. Enter the first YouTube Music Video Awards. Sound gimmicky? It more than likely will be. The performance lineup already looks stupidly similar to a Grammy’s bill. The artists so far include Eminem, Lady Gaga, and Arcade Fire, who judging by their horrific SNL performance last saturday, will likely be the worst of the three always over-hyped acts. So what edge DOES the YouTube Music Video Awards actually have that might make it worth watching? Let’s explore:
Continue reading “The YouTube Music Video Awards: Why Not?”
“Here Comes the Night Time” NBC Special
Following the season premiere of Saturday Night Live featuring host Tina Fey and musical guests Arcade Fire, NBC surprisingly aired a straight-up trippy half-hour concert special for Arcade Fire called “Here Comes the Night Time”, named after one of the songs off their much-anticipated upcoming album, Reflektor. Beside playing their disco lead single “Reflektor” and debuting another song “Afterlife” on SNL, the Canadian indie rockers debuted three new songs on the special as well as a slew of high profile cameos and strange costumes, making for a very strange but very bold half-hour of television for NBC.
Continue reading “Arcade Fire “Here Comes the Night Time” Special Review”
Fellow blogmate Austin and I were discussing artists we love that have gotten the proverbial shaft in terms of lack of coverage on our site, and how we needed to right the ship. One of those artists was Rilo Kiley’s Jenny Lewis, who Austin gave a five-song LxListening playlist to a few weeks ago to give Lewis her overdue spotlight. I figured I would do the exact same thing for the National, who I failed to review their latest on our site, and who often goes unrecognized on our site given our third member Todd’s disinterest towards the Cincinnati-formed band. But that can’t stop me from giving you a National-themed Friday, filled with 5 choice cuts spanning over their 12 year, 6 album career, a band who has stumbled into an indistinguishable sound and feel to all of their music.
Continue reading “LxListening: The National Broadcast”