Aussie Takeover: 10 Best Australian Music Acts

australian music
With Courtney Barnett and Tame Impala quickly sweeping over the music scene like a non-violent version of a tornado, we thought we would give a shout out to our favorite music from the land down under. And yes, obviously Men at Work made the list. Enjoy, and give us your qualms:

10. Dirty Three
dirty_three band, Australian band
Pure Aussie instrumental rock. Warren Ellis is like if the devil stole the boy’s fiddle in “Devil Went Down to Georgia”.

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The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

LxL_TopTenThursdays_02_900x300

Grammys are worthless

Editor’s Note: With the Grammys coming up Sunday, we thought it best to re-run our favorite list about the consistently terrible award show.

 

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “The 10 Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”

Sleigh Bells Review

Sleigh Bells

Reign Of Terror

Reign of Terror Album Cover Art

From the opening ear-shattering moments of “Tell ‘Em” to the last menacing moments of the title track, listening Sleigh Bells’ debut front to back was like being blind-sided by a Rock shovel and loving every moment of it. On Treats, the New York duo pioneered a bit of a new sound, with their music being what it would sound like if a cheerleading squad discovered heavy metal or Black Sabbath crashed a crazy train into M.I.A. So because of the astonishment found with their debut, I expected their follow up, Reign of Terror, to fall way short of the debut since it would lack the novelty of hearing their sound for the first time. And while Reign of Terror is indeed more of the same, it is no doubt another really good record, full of plenty of excellent moments, but also its handful of redundant ones.
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Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again

Grammys are worthless

It’s no secret, or even a matter of opinion at this point. It’s just a cold hard fact. The Grammys suck. Everyone knows and understands this, yet somehow, they still exist. Not only do they exist, but they exist on a larger than life scale. Yet not once have I ever heard someone in real life or media claim that the Grammys have ever held any sort of relevance in the music world … Ok, I take that back … I DO remember hearing hipsters last year claiming that Arcade Fire was “breaking barriers” and “proving something for indie musicians” when they won that worthless hunk of fake gold for whatever bull-spit category they won it for. In contrast, I also remember hearing Nickelback fans rant and start a blogspot called “Who the F*$k is Arcade Fire”. I think it’s fair to say that neither of these stereotypes should represent music anyways. Anyone who cares about music realizes that Grammys hold as much value as my MC Hammers savings account. It’s quite literally a song and dance put on by the record companies to maximize profit in an industry that isn’t very good at making profits anymore. So they do what they can, and exploit what songs made money in television commercials that year, and pray that people still think their input is worth anything.
Continue reading “Top Ten Thursday: Worst Grammy Offenses – or How We Learned to Loathe the Grammys and Love Music Again”