Let’s be honest: of the four major award shows – the Emmy’s (TV), Grammys (Music), Oscars (Movies), and Tony’s (Theatre) – the Grammys is probably the worst and least representative of what is truly the best in its field. We’ve covered that plenty over the last five years but if anyone knows me, I like to focus on the positive. I’m a glass half-full type. That proved especially difficult with maddening snubs for Best Song, New Artist, and Album of the Year and just an overall boring broadcast. But I’ll do my best. So here are the three things the 2016 Grammy’s got right.
Hamilton gets its moment in the spotlight
Hamilton has been the biggest musical smash since Book of Mormon, and it rightfully crossed over from the Tony’s into the Grammy’s for a live performance and incredible rapped acceptance speech from creator and star Lin Manuel Miranda. It was a big wakeup from the first 1.5 hours of the awards show that was nothing but snoozy adult-contemporary singing.
Genre awards were largely correct
Whether it was Alabama Shakes winning Best Alternative album, Kendrick winning Best Rap Album, Chris Stapleton winning Best Country Album, or D’Angelo winning best R&B album, several great songs and albums actually won awards. In terms of sub-categories, this is probably the highest hit-rate a Grammy night has had in the last 10 years.
Kendrick getting awards two years after getting snubbed out for Macklemore
Two years after getting snubbed for all the rap awards to white-rapper Macklemore, the Grammys do what the Grammys do best: make up for a previous wrong. Not completely, but at least in part. This has been done time and time again, and it usually happens with rock bands 30-40 years after their heyday, but fortunately, the Grammys actually got it right with Kendrick Lamar sweeping the rap categories. They certainly screwed up Album of the Year going with Taylor Swift over Kendrick, but that’s not a huge surprise (Speakerboxx/The Love Below by Outkast was the only time a rapper has won Best Album of the Year, and half of that album isn’t really hip hop at all).
Kendrick also delivered easily the best performance of the night, starting by pointing to the injustice towards Blacks in our prison system with “Blacker the Berry”, than going crazy with a huge bonfire and tribal dancers with the Grammy-award winning song “Alright”, and finally debuting a new song where Kendrick raps better and faster than anyone else. It was one of the few thrilling performances in a largely drowsy night.